Flash Fiction, tutto e niente

this time

Memories flooded my brain as the smoke from the flickering candle enveloped me. The hint of menthol cigarettes lingering in the air only amplified my déjà vu. My cowardice urged me to turn and run, but before my feet could obey this frantic command the sight of the Two of Swords reminded me of the weight of the choice ahead of me. I couldn’t let one bad incident stop me from seeking guidance. Maybe if I had listened that time, instead of mocking, I would have taken a different road, so instead of taking flight, I sank into the chair. Holding my question in my mind, I shuffled the cards and made a promise to myself:  this time, I would listen, really really listen.

The Two of Swords card, conceptualized by Pamela Colman Smith

I had fun today, creating a six-sentence story and incorporating some additional word prompts that included CARDS, AMPLIFY, CHOICE, and INCIDENT. Visit the site below for more info and more great writing. 

 

Haiku & Other Poetry, Random Rants, tutto e niente

Tanka Tuesday – Synonyms Only

time crawls and I vow

rye to sooth my looming dread

‘til the day dawns blue  

promise-and-comfort-1

Welcome to Tanka Tuesday. This week is Synonyms Only. That means you will be using synonyms for the given prompt words.

Today, I wrote a senryu that sums up the state of my current “human condition.” 

What is a senrue?

A form with 3 or more lines following the short-long-short, 3-5-3, 2-3-2, (5-7-5 traditional) approximately twelve syllables. Senryu do not rhyme, nor do they contain metaphors and similes.

A senryu is written about love, human foibles relating to a personal event, and should have an element of irony present somewhere in the form. Humor and sarcasm are two of the most favorable elements in a senryu. But not always… think in tone. What is the tone of your senryu? 

Senryu focus on the awkward moments in life making the human, not the world around them, the subject of their creative endeavor. Senryu poetry deals with the human condition. The most important distinction between haiku and senryu is the tone of your poem.

Think of it this way: Haiku wants to create a feeling, while senryu wants to make a point.
Focus on sexual matters, family relations, religion, politics, and anything that touches on the pain we experience through sorrow, prejudice, oppression, anger, and frustration. Humor and sarcasm are two of the most favorable elements in a senryu. No title.

Flash Fiction, tutto e niente

Unforgettable

She held out her arms to hug me, but I knew this wasn’t my house — and she definitely wasn’t my wife.

Or was she?

I searched my mind for a memory of her face, and I felt … something. Like a name on the tip of my tongue or a tune that I could hum but the words were not quite right. She smiled and, again, I felt … something. Like a dog’s cold nose on a sunny summer day or the smell of coffee in the morning. Familiar. Safe.

But no! The room was wrong. Where were my things? Why was everything so shiny and white? It was all wrong! She was all wrong!

I wasn’t married. I was only 20. But why did she keep saying she was my wife? Why was her face so familiar? Maybe she was my mom’s friend. Why was that song stuck in my head?

Panicked, I turned to run and stopped dead in my tracks. Stunned by my reflection. I touched my face and felt the deep scar across my forehead. Ran my fingers through my hair. Why was it so white? That’s not me. That’s definitely not me.

Or was it?

I searched my mind for a memory of that face and felt … something. I watched the tears run down that face as I softly hummed the song stuck in head.

Unforgettable, she said.    

Photo by Pixabay on Pexels.com

Fandango’s Story Starter #148

 

Random Rants, tutto e niente

Block, Break, or Bail: A Follow Up Post

Greetings fellow writers and bloggers. I haven’t participated in Fandango’s Flashback challenge  for a while, so please enjoy my angst filled ramblings from December 4, 2018.  

Writing that Novel: Block, Break, or Bail?

November was NaNoWriMo. And many people in my sphere (be it virtual or irl) participated. Me? I went another route. I didn’t add a single word to my novel-in-progress. And as we enter December, I continue to not write. If this not-writing goes on much longer, it may necessitate a designation change from novel-in-progress to novel-not-in-progress. Seriously, how long can I say I’m working on it, if it’s sitting untouched in a drawer?

One week? One month? Six months? One year? Forever?

The most frustrating aspect of my current stall is that I’m not really sure what’s behind it. Am I having writer’s block? Did I just need a break? Or am I trying to tell myself it’s time to bail (or bale for my UK friends) on the project?

It (the stall) started innocently enough. I’m nearing the end of the first draft and I know it needs some work. Among other things, I’m not sure whether my original narrative structure is working. So in late October, I did two things to address these concerns. I asked my writing accountability partner (and published novelist) to read and comment on the entire manuscript. And I submitted some pages to a writer’s conference. In early-November, I was rejected by the conference, so no help from them. But that same week, I got an excellent critique from my accountability-partner reader. Her comments, criticisms, and suggestions were spot-on. But they also reaffirmed some of my concerns. Bottom line: it still needs a lot of work.

In my pre-fiction (and let’s be honest-my younger) writing days, I immediately would have been fired up by the feedback. I am (or was) one of those weird writers that really enjoys the process of editing and rewriting. Pulling apart, restructuring, fine-tuning—love(d) it all! But this time, the thought of all that ripping and rebuilding left me a bit exhausted. So I keep putting it off.

Thanksgiving. Magazine assignments. The weather is nice. Read blogs. Write haiku. All perfectly good reasons not to start back TODAY.

Tomorrow. I’ll start back tomorrow. I promise! (I said just last night.)

So this morning was going to be that tomorrow. I absolutely was going to open up my novel and get back to work. The timing was perfect. My magazine assignments were submitted. Today’s calendar was completely empty. It’s foggy and rainy outside. I was READY to go! Then I saw Teresa’s picture prompt. I am obsessed with monkeys. I LOVE them. They make me happy. And that fabulous photo was all my brain needed to “forget” my original plan. Monkey thoughts filled my mind. But even as the monkey endorphins pumped me up, I caught sight of the manuscript pile on my desk and guilt flooded out my happy monkey vibe.

Doubt returned. Seriously, was tomorrow ever going to come?

So I’m back to my questions.

BLOCK?

  • Am I just dealing with a bit of writer’s block? If so, I should just sit down and WRITE! Even if it’s crap and I delete it all, it will get my juices flowing. Just WRITE has always been a winning strategy.

BREAK?

  • Did I just need a break? That’s possible—I had been on an intense streak the prior few months. Lots of writing hours at the expense of other things. Maybe my brain and body are forcing me to reevaluate the notion of BALANCE. A lesson I’ve never been able to master. If so, I should stop beating myself up. Enjoy my leisure time. Write for my blog. Read for fun. Binge watch The Great British Baking Show. Happy ho ho ho and all that. And jump back into it in January.

BAIL?

  • Am I ready to bail? No! Or maybe yes. NO!!! I don’t know. Quit avoiding the question Tina! Which is it?
  1. OK. I’m such a pain in my own a$$. I’ll try to answer.

If I’m being honest (one of my fave Paul Hollywood phrases), I can’t claim to have writer’s block when I haven’t even tried to write. It’s not as if I’m staring at the screen with a blank mind. I haven’t even opened the document in over a month! But am I seriously thinking about bailing on the whole project? Do I really think that I could let it go? I don’t think so. (?) I’ve been working on it for over a year. I don’t think I’m ready to just dump a year’s worth of effort.

So?

I think (or maybe feel—not sure which is dominate at this point) that I’m committed to finishing it. I still like my basic idea. And I’m not afraid of hard work. But I have to be honest, I’m just not ready to jump back into right this minute. So maybe I’m just on a break?

I guess we’ll see in 2019.

UPDATE: That “break” has extended into what may be defined as “bail.” And again, I have abundant reasons (excuses). But, honestly, I’m OK with it. I’ve been enjoying the other writing I’m doing. And if the last few years of Trumpian hell and the last nine months of Covid-19 stress have taught me anything, it’s … well, hell I don’t know what it’s taught me except maybe to be kind to myself.

Plus here’s that awesome monkey picture that started the whole thing!  

monkeys-768641_1920

Random Rants, tutto e niente

Live and Learn

Fandango’s Provocative Question # 92:

Do you blog anonymously? Why or why not?

No. And here is why …

When I started on Word Press (about 2.5 years ago), my intentions for the site were straightforward. It was meant to be an extension of my professional life as an educator and author, so it made no sense to blog anonymously. Plus, I’m already “out there” so if people want to find me, they can. My only self-imposed rule was based on my sense of integrity. Essentially, if I wouldn’t say it “in real life” then I wouldn’t write about it.

Fast forward a bit and my original intentions have changed a bit. I kept forgetting to post or redirect people to my “work” stuff (mostly biographies, history pieces, and sponsored content). Mostly, however, I didn’t realize when I began that I would find so much enjoyment playing with the kinds of writing that I don’t do “in real life.” I’ve become obsessed with writing haiku and flash fiction. The challenge of conveying meaning with limited words is intoxicating.

Live and learn 

So … long story short, if I was to begin again I’d probably go incognito, simply to amplify the freedom to play.